Camille Pissarro And His Paintings

Camille Pissarro is a French, Dutch, and Portuguese artist that had an early impact on the impressionist movements of the late 19th and early 20th centuries. The creation of his pieces spanned over 50 years of his life, and just like many artists revered today, he only got the right recognition after his demise.

The French impressionist artist Pissarro didn’t stick to impressionism alone, however. He further experimented with neo-impressionism and pointillism, creating pieces that served as inspiration for Paul Gauguin and Claude Monet, two forerunners of post-impressionism and modernism.

Here, we present all about painter Pissarro’s drawings, including the list of Camille Pissarro’s most famous paintings, his most expensive work, and all of the painter’s techniques and styles as the years went by. So let’s get right in.

  • Two Women Chatting By The Sea
  • Jalais Hill
  • Red Roofs, Corner of a Village, Winter
  • Apple Harvest at Eragny
  • The Boulevard Montmartre

Two Women Chatting By The Sea, Saint Thomas, 1856

Translated from “Deux Femmes Causant Au Bord De La Mer” and the first of many we mention, Two Women Chatting By The Sea is a piece the artist Pissarro completed after his return to France in 1855. It, however, depicts his life between 1830 and 1852 on the Caribbean Island of St. Thomas, where he was born.

Among a barrage, Camille Pissarro is popularly known for two things; Pissarro landscape drawings learned from Jean-Baptiste-Camille Corot and the raw input of realism into his pieces. Two Women Chatting By The Sea encapsulates these styles well.

Through realism, the artwork boldly presents the ordinary life of two women who have met on a pathway by the sea, one carrying a heavy load on her head and the other holding a seemingly empty basket. But, as one of Pissarro’s landscape drawings, it also features a cliffside ending at sea, the sea itself, and some other villagers chatting, all at a farther distance. 

Two Woman Chatting by the Sea, St. Thomas – Camille Pissarro

Jalais Hill, Pontoise, 1867

Pontoise was home to Pissarro and his family immediately, and they returned to France after fleeing the war. Jalais Hill is one of the most popular paintings of Pissarro, showcasing his landscape artistry in full glory and also featuring subtle representations of simplicity and realism.

Jalais Hill is a piece that depicts a rural valley in the Northwest of France, showing us a lot of greenery, a litter of houses, and all the features of an ordinary day in the modern French countryside. Pissarro and Corot, his mentor, both harbored an interest in capturing the rural lifestyle of French people but were usually limited by the standards of the Paris Salon.

Pissarro rebelled away from these standards and was determined to always paint outdoors rather than in the studio. Painting at the same time of the day allowed him to recreate the true colors of the landscape and give off the first impression of viewing it in real life. The two women where the pathway bends also add to the representation of realism.

Red Roofs, Corner of A Village, Winter, 1877

“Red Roofs, Corner of A Village, Winter” is a unique impasto piece from Camille Pissarro. Ordinarily, even from its name, the piece represents a noticeable shift away from the depictions of holy and royal grandeur common with works from artists of the late 1870s.

Although this art theme attracted a lot of criticism during its time, “Red Roofs, Corner of A Village, Winter” separated him from the rest and is one of the most revered works from Pissarro today. It shows us a different style in Pissarro’s landscape drawings, as he opts for a level point of view rather than a bird’s eye view.

In “Red Roofs, Corner of A Village, Winter,” unlike the easier depictions of distance in regular landscape paintings, we see distance depicted through a depth of field. The farther elements, like the hill and white houses with red roofs, are progressively smaller and drawn behind the closer objects like the dead bushes and trees.

Apple Harvest at Eragny, 1888

“Apple Harvest at Eragny” isn’t just another piece that shows the ordinary everyday lives of countrymen and laborers. It is unique as it depicts this using one of the experimental styles of Camille Pissarro; Pointillism.

Pointillism is an intensive and time-consuming drawing technique Pissarro took up in 1885, during his neo-impressionist era. Created using carefully imprinted colored dots, “Apple Harvest at Eragny” shows a simple sunny scene near Pissarro’s home in Eragny where a man plucks apples from the tree, two women pick the fallen fruits from the ground, and one woman watches in awe, covering her mouth.

Just like “Red Roofs, Corner of A Village, Winter,” Pissarro also uses depth of field to illustrate distance. At the same viewing level, we see smaller trees and an almost invisible horseman or farmer with a carriage.

Boulevard Montmartre; Night Effect – Camille Pissarro

The Boulevard Montmartre at Night, 1897

The Boulevard Montmartre at Night is Camille Pissarro’s most expensive painting, which sold for $20 million in 2014. Ironically, rather than his usual depictions of the rural life of peasants, it features the nightlife of city dwellers along a boulevard in Paris.

Boulevard Montmartre at Night is one of 14 paintings in a series of drawings Pissarro created during his visit to the city. To capture unique views, he rented a hotel room with a window view that allowed him to continuously study the busy life of people at different times of the day.

The painting features a direct linear view of the Boulevard Montmartre alongside ground-level illuminations from night shops, electric street lamps, and taxis.


Although these paintings comprehensively capture all the styles that defined Camille Pissarro, others are worth mentioning. These other Camile Pissarro’s most famous paintings include the “Pont Boieldieu in Rouen series,” “Haymaking, Eragny,” “Hoar Frost,” and his 1903 self-portrait. Unfortunately, Camille Pissarro passed away shortly after his self-portrait.


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